Fleda had more than one small errand in the big bazaar, and he went up and down with her, pointedly patient, pretending to be interested in questions of tape and of change. She had now not the least hesitation in wondering what Mona would think of such proceedings. But they were not her doing—they were Owen's; and Owen, inconsequent and even extravagant, was unlike anything she had ever seen him before. He broke off, he came back, he repeated questions without heeding answers, he made vague, abrupt remarks about the resemblances of shopgirls and the uses of chiffon. He unduly prolonged their business together, giving Fleda a sense that he was putting off something particular that he had to face. If she had ever dreamed of Owen Gereth as nervous she would have seen him with some such manner as this. But why should he be nervous? Even at the height of the crisis his mother hadn't made him so, and at present he was satisfied about his mother. The one idea he stuck to was that Fleda should mention something she would let him give her: there was everything in the world in the wonderful place, and he made her incongruous offers—a traveling-rug, a massive clock, a table for breakfast in bed, and above all, in a resplendent binding, a set of somebody's "works." His notion was a testimonial, a tribute, and the "works" would be a graceful intimation that it was her cleverness he wished above all to commemorate. He was immensely in earnest, but the articles he pressed upon her betrayed a delicacy that went to her heart: what he would really have liked, as he saw them tumbled about, was one of the splendid stuffs for a gown—a choice proscribed by his fear of seeming to patronize her, to refer to her small means and her deficiencies. Fleda found it easy to chaff him about his exaggeration of her deserts; she gave the just measure of them in consenting to accept a small pin-cushion, costing sixpence, in which the letter F was marked out with pins. A sense of loyalty to Mona was not needed to enforce this discretion, and after that first allusion to her she never sounded her name. She noticed on this occasion more things in Owen Gereth than she had ever noticed before, but what she noticed most was that he said no word of his intended. She asked herself what he had done, in so long a parenthesis, with his loyalty or at least his "form;" and then reflected that even if he had done something very good with them the situation in which such a question could come up was already a little strange. Of course he wasn't doing anything so vulgar as making love to her; but there was a kind of punctilio for a man who was engaged. Fleda saw perfectly, and, with a face in which she flattered herself that nothing of this vision appeared, gave him her hand and said: "Good-bye, good-bye."!

The mixture of reluctance and dependence in this made her feel how much she was failing him. She had the sense of "chucking" him too. "No, no, not yet!" she said, though she had really no other and no better course to prescribe. "Doesn't it occur to you," she asked in a moment, "that if Mona is, as you say, drawing away, she may have, in doing so, a very high motive? She knows the immense value of all the objects detained by your mother, and to restore the spoils of Poynton she is ready—is that it!—to make a sacrifice. The sacrifice is that of an engagement she had entered upon with joy." "That he would give his ears to get you?" Mrs. Gereth broke in. "I had a visit from Mrs. Brigstock."

"The deuce knows what has become of it, Miss Vetch!" Owen cried. "It seemed all to go to pot as this horrid struggle came on." He was close to her now, and, with his face lighted again by the relief of it, he looked all his helpless history into her eyes. "As I saw you and noticed you more, as I knew you better and better, I felt less and less—I couldn't help it—about anything or any one else. I wished I had known you sooner—I knew I should have liked you better than any one in the world. But it wasn't you who made the difference," he eagerly continued, "and I was awfully determined to stick to Mona to the death. It was she herself who made it, upon my soul, by the state she got into, the way she sulked, the way she took things, and the way she let me have it! She destroyed our prospects and our happiness, upon my honor. She made just the same smash of them as if she had kicked over that tea-table. She wanted to know all the while what was passing between us, between you and me; and she wouldn't take my solemn assurance that nothing was passing but what might have directly passed between me and old Mummy. She said a pretty girl like you was a nice old Mummy for me, and, if you'll believe it, she never called you anything else but that. I'll be hanged if I haven't been good, haven't I? I haven't breathed a breath of any sort to you, have I? You'd have been down on me hard if I had, wouldn't you? You're down on me pretty hard as it is, I think, aren't you? But I don't care what you say now, or what Mona says, either, or a single rap what any one says: she has given me at last, by her confounded behavior, a right to speak out, to utter the way I feel about it. The way I feel about it, don't you know, is that it had all better come to an end. You ask me if I don't love her, and I suppose it's natural enough you should. But you ask it at the very moment I'm half mad to say to you that there's only one person on the whole earth I really love, and that that person—" Here Owen pulled up short, and Fleda wondered if it was from the effect of his perceiving, through the closed door, the sound of steps and voices on the landing of the stairs. She had caught this sound herself with surprise and a vague uneasiness: it was not an hour at which her father ever came in, and there was no present reason why she should have a visitor. She had a fear, which after a few seconds deepened: a visitor was at hand; the visitor would be simply Mrs. Gereth. That lady wished for a near view of the consequence of her note to Owen. Fleda straightened herself with the instant thought that if this was what Mrs. Gereth desired Mrs. Gereth should have it in a form not to be mistaken. Owen's pause was the matter of a moment, but during that moment our young couple stood with their eyes holding each other's eyes and their ears catching the suggestion, still through the door, of a murmured conference in the hall. Fleda had begun to make the movement to cut it short when Owen stopped her with a grasp of her arm. "You're surely able to guess," he said, with his voice dropped and her arm pressed as she had never known such a drop or such a pressure—"you're surely able to guess the one person on earth I love?" Fleda had had no one in particular in mind; she had never believed in the myrmidons; but the tone in which Mrs. Gereth spoke added to her suspense. "What did you do to them?" "It's too wonderful, what you've done with the house!"—the visitor met her friend's eyes. They lighted up with joy—that friend herself so pleased with what she had done. This was not at all, in its accidental air of enthusiasm, what Fleda wanted to have said: it offered her as stupidly announcing from the first minute on whose side she was. Such was clearly the way Mrs. Gereth took it: she threw herself upon the delightful girl and tenderly embraced her again; so that Fleda soon went on, with a studied difference and a cooler inspection: "Why, you brought away absolutely everything!"